I am workshopping my graphic novel through a weekly online serial.
we have been witnessed a crime:
Looked at the original headlines:
I’ve introduced my involvement (more to come):
And travelled to Ireland to get our first glimpse at the main character:
Molly’s and The Babes in the Wood timeline are now starting to twist around each other.
So I need to celebrate
I am 95 pages in— 95 pages in 4 weeks! Or looking at it another way, 95 pages in 13.5 years. Yes, I must celebrate this. But instead, I am struck with creative insomnia! A buzzing, busy brain. Is it excitement to keep going? Is it fear? Is it a
Of course it is. Holy shit. I am putting it out there, doing it for me, for Molly, for my supporters, for storytelling. Holy shit. I am doing it. And accurate to the way the creative process works and the inner critic whispers, I am struck with nervousness. I have been struggling so long after so much life change to just live a day a time. And now here I am, planning 46 weeks of instalments. Planning my life. Professionally, creatively. Thinking ahead… thinking past tomorrow…
I’m past patiently waitin’. I’m passionately Smashin’ every expectation Every action’s an act of creation! I’m laughin’ in the face of casualties and sorrow For the first time, I’m thinkin’ past tomorrow
– Lin Manuel Miranda
After years of 5 minute living, a way to get through the rollercoaster of life-
I am sitting here with a full calendar and giant lovely to-do’s and I admit, I am a little bit scared. But loving it. Deep into it. Experimenting. And trusting Molly.
How do you escape from a convincing story? After enough repetitions, the facts come to serve the story and not the other way around. – Errol Morris
I began working on this PASSION PROJECT in 2003 when I was a volunteer criminal profiler on the Babes in the Wood task force in Vancouver, Canada. And I have been working on it ever since.
But I have come to a crossroads.
That tap on the shoulder was a message. I knew I needed to pay attention. And I have been.
Feeling lost— thinking hoping the message was:
“Await the magic moment when a publisher responds, or that phone call comes from that lead down south…”
Sitting on the dock with lines in the water…
But no- I knew in my heart that my HOPE was actually blocking my ability to truly listen.
So I sat down with my main character the other day.
I asked Molly- what do you want from me?
I raged at myself- walked the lagoon, again and again-
… sitting with the questions, still awaiting news from publishers, producers.
Awaiting the signal to restart the manuscript- its parts all laid out and ready. Yet- feeling a nagging churning in my heart and gut that this is not how I naturally work.
Then- AH HA!
Molly pushed me off the dock into the water.
I AWOKE from my stupor!
Molly- who was an ACTUAL LIVING BREATHING HUMAN between 1924-1947, who reached out across time and space and grabbed my heart, asking me to tell her story, whose life I have pieced together from research, who seems to guide the show if I am willing to let go of what I thought it should look like- has made it so clear to me that—
I need to start telling the story in my way.
It wasn’t the right time before. I have uncovered new things.
But it is also no longer OK to wait.
Narratives are ubiquitous. They are part of the way people see the world, part of the way people think. All of us. Myself included. Without them we would be overwhelmed, with undigested, raw facts. But that doesn’t mean that all narratives are created equal. There is fiction, and there is nonfiction. And one of the differences between fiction and fact is that a fictional character is controlled by its creator. It has no reality off the page… It is easy to confuse a search for revealing plot details with a search for evidence. But there is a difference. In one case, we are wandering through a landscape of words. In the other, we are in the physical world. – Errol Morris
And so, me, the creator am controlled by the non-fiction character, Molly.
Molly- a true crime analysisvisual weekly serial
goes online January 15, 2017!
23 sections (two parts per section) released over 45 weeks.
January 15-November 5, 2017
The work is presented in an experimental graphic novel form.
… a crime analysis to determine the general characteristics of the most likely suspect for the crime. – Henry Lee, Crime Scene Investigation (1994)
Katarina Thorsen’s work Molly weaves empirical discovery and her own imagination. While many people know of the tragic deaths of the two children from the Babes in the Wood case, Thorsen introduces another tragic death in Vancouver history near the same time, that of a young woman named Molly, whose demise was a brief and lurid headline back in the day. It is a story about history and mystery, and how these two tragic stories intersect- or don’t- as the case may be.
– Pamela Post, journalist, 2015
THIS IS A WORK IN PROGRESS AND I WILL INCLUDE YOU IN MY JOURNEY.
AS MY MANUSCRIPT UNFOLDS, I WILL SHARE THE PROCESS WEEK TO WEEK STARTING WITH WEBSITE LAUNCH JANUARY 15, 2017
THE 5-ACT SERIAL WILL INCLUDE TEXT, PHYSICAL EVIDENCE, PRIMARY AND SECONDARY SOURCES, ILLUSTRATIONS, PHOTOGRAPHS, VIDEO AND AUDIO. (AND MAGIC)