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Category: Graphic Novel
Shared views of graphic novels in progress
Tuesday November 6, 1947
TUESDAY NOVEMBER 6, 1947 MOLLY, A GRAPHIC NOVEL– my now 15+ years passion project– continues at the drawing board and at the writing desk and in my heart, with new developments, insights and directions behind the scenes. Some announcements in the new year. NOTE: this is a work of creative non-fiction inspired by true facts, evidence and…
Protected: Potato Nose Diaries (1977): Instalment 7- Grad and the Party
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Protected: A Potato Nose Diaries (1977) Short: Steven
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Come back to me.
Come back to me, Molly. It’s been a strange time- hiding you from the world in order to explore new ways of telling your story. I’m not sure I like this anymore. You chose me. Remember? At the library? 15 years ago. As your spirit wandered restlessly on the viaduct, you passed through me with…
Protected: Potato Nose Diaries (1977): Instalment 5- They don’t know what it is.
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Protected: Potato Nose Diaries (1977) Instalment 1: Introduction
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When public goes private, do I lose you?
When public goes private, do I lose you? I am so used to sharing my creative process openly– and now I find myself in a new state of being, where in order to discuss and develop the project further, I have to stop sharing it. This is all exciting and unreal– so why do I…
Molly- a new phase
Molly- a true crime analysis Currently in a new development phase and therefore the online graphic novel is now set to private. Thanks for your support! ♥️ Stay tuned. Love, Katarina … a crime analysis to determine the general characteristics of the most likely suspect for the crime. – Henry Lee, Crime Scene Investigation (1994)
New comic: Come Into Me, Issue 1
Creative process for me is not about the end product. It is about the entire process. But that doesn’t mean I don’t celebrate end products! And today I celebrate this comic: Come Into Me. Thanks to my colleague/friend, I was elated to hold the final product in my hand the other day– that gorgeous smell of paper…
The New Year’s Drawing Marathon
On January 15, 2017, I launched the first chapter of the third draft of my experimental graphic novel: Molly- a true crime analysis. Birds have been a recurring theme throughout the work. It is difficult to explain their symbolism fully, but to me they carry messages across space and time. I spent Dec 31,…
30 strange chapters completed.
I am workshopping my true crime graphic novel online. 30 strange chapters completed. I am working on the 31st today. Then 15 to go. I am sure it is all as confusing as a Twin Peaks episode! The online workshopping method helps me get perspective. Laying out ALL the information for editing it down and re-drawing…
#SKiP 2017 was amazing!
Recall: I had the pleasure of presenting and facilitating at the SKETCHING IN PRACTICE 2017 SYMPOSIUM on June 23 and 24! It felt so great to be around such like-minded, like-spirited, enthusiastic, inquisitive, creative people! I was invigorated! And being able to participate in three fabulous workshops as well was such a treat! June 23:…
See you at #SKiP 2017 June 23-24! @sketchapractice
I’m so excited and honored to be hosting two sessions at SKETCHING IN PRACTICE (SKiP) 2017 June 23-24, 2017 at SFU’s Goldcorp Centre! SKETCHING IN PRACTICE (SKiP) is a two-day symposium that explores the construction of meanings through sketching. In 2016 we brought in scholars and practitioners from diverse backgrounds to explore the question, What…
Celebrating 95 pages with a vulnerability hangover…
I am workshopping my graphic novel through a weekly online serial. So far… we have been witnessed a crime: Looked at the original headlines: I’ve introduced my involvement (more to come): And travelled to Ireland to get our first glimpse at the main character: Molly’s and The Babes in the Wood timeline are now starting…
Boundary by Emily Cowan
Wow. Emily Cowan, comic book artist, has just completed an extraordinary book: What a beautiful journey it has been to dive into Paige’s teenage life. My cheeks prickle with familiarity– those hot-nosed, overly self-conscious struggles of a 15 year old. The book is deceptively gentle, masterfully rendered. DO YOURSELF A FAVOUR AND READ THIS GORGEOUS BOOK! LINK:…
My weekly serial format serves as a means to workshop the graphic novel…
My Molly site mollygraphicnovel.com launches with Part 1A on Sunday. The work is presented in an experimental form. I will simply allow the creative process to unfold. THIS WEEKLY SERIAL FORMAT serves as a means to workshop* the graphic novel. *Workshop production: … a form of theatrical performance, in which a play or musical is…
MOLLY, my true crime online graphic novel serial, launches in 1 month!
Look for Part 1A on January 15, 2017 MOLLY- A TRUE CRIME ANALYSIS at mollygraphicnovel.com An analysis in 5-acts. … to dissolve the very boundaries between fact and fiction, life and art, memory and imagining. The result would be a five-act narrative tragedy comprised of materials gathered from everything from journal, diary, memoir, novel, poem,…
Molly- a true crime analysis, a visual serial goes online January 15!
How do you escape from a convincing story? After enough repetitions, the facts come to serve the story and not the other way around. – Errol Morris I began working on this PASSION PROJECT in 2003 when I was a volunteer criminal profiler on the Babes in the Wood task force in Vancouver, Canada. And…
Around 3 am… I felt a tap on my shoulder.
Around 3 am yesterday morning (November 19) I woke up because I felt a tap on my shoulder. More like a double jab. On my right shoulder. It felt so real— I just knew it was a message regarding Molly but it didn’t even feel like her- felt like a male presence. Like he was telling…
I am a star, glimpsed through a sideways glance.
Working notes, Molly, a True Crime Analysis
Digging deeper, the secrets become aviatic.
Working on Molly, and I remain fascinated that I find it easier to dig deeper into the story by using the image of birds. Somehow, the layers that obscure the truth are scraped away a little easier. Are the birds metaphors? My guides? I robbed your grave. I revealed you. I showed you in shameful moments….
“I recall a childhood dream…” with visual storytelling.
Toying with creative process. Thumbnail sketches and experimenting with storyboarding the PREFACE (preamble) portion of Molly, a true crime analysis: RECALL:
I am obsessing about Molly’s wandering soul.
I am obsessing about Molly‘s wandering soul. I have written before that Molly somehow chose me to tell her story. Eve Lazarus refers to it as a tap on the shoulder– and Molly tapped me on the shoulder on Level 5 at the Vancouver Public Library in late 2003 as I was searching through microfiches….
“I put myself back in the narrative…” and ugh- LOG JAM. #innercritic #onwriting
On the gross creative process, the ugliness, the inner critic, the log jams, the writing… Log jam. Log jam. After feedback FEEDBACK from multiple sources that I should be in the story and I try and try but log jam log jam— Why does the creative process halt when I do that? I place…
Rejection letter from publisher? Despair? No- liberation.
I have been awaiting word from a significant publisher who has been considering my passion project- Molly, a true crime analysis. The book is not finished. I am re-writing the manuscript, and still drawing- but thanks to my agent, Peter Breeze, we have been creating a buzz and were quite elated to be contacted earlier this…
That is a step on which… #creativeprocess
I was working on my Molly project today— contemplating a slightly new format, to reconstruct the prologue. The idea came out of the first weekly mini writer’s retreat that I started last Monday with my soul-sister, Patti Henderson: Patti encouraged me to attack the material in a new way. I love how collaborative dialogue can push, pull, inspire. Afterwards, perseverating…
It is important now for me to honor this call for retreat. #creativeprocess
I sense it is time to really retreat in between work schedules and ensure cave time to focus on my passion project: Molly, a true crime analysis. Seek solitude, writes Delacroix. I hear you. I am in a fantastic place regarding the project- she feels ripe, ready, eager. Through a tear in the fabric of time…
The objects are the context from which I draw clues.
What happens when a case is very old, when much of its physical evidence is deteriorated or destroyed, and its main players long deceased? How do we investigate? For me it is all about the historical context. When I work on Molly, I step into the 1940’s through books, research, primary sources. And I do it…