Journal entry August 9 2025 James Bowers December 30, 1950 – August 6, 2025. “Daddy” ❤️ When we met, I was the dancer, you the musician. And we became parents and creative partners. We navigated life chapters as best we could with our two spectacular children. Our homes were always FILLED with music, books, films,…
Kill your darlings: a sampling of pieces that didn’t make it into my graphic novel
My graphic novel, Salt Green Death (Conundrum Press), is a work of creative nonfiction born out of historical research – a Vancouver-based family saga spanning mainly 1924 to 1968. Salt Green Death, Katarina Thorsen, Conundrum Press 2025 (Video and music by Julian Bowers) Salt Green Death contains 165 hand-drawn pages. Of course, there is a…
Creative Process Video: Drawing Violet
Unedited silent video (length 41:34) of my creative process as I simply play with my favourite drawing materials as I draw using rough mark making: china markers (not sure why I don’t cut the string when it gets in the way!), watercolour crayons, some acrylic paint, and coffee on newsprint. I am meditating on my…
Confronting the strange and quiet grief that comes after releasing my book to the world
After I finished The Bluest Eye, which took me five years to write, I went into a long period of…not deep depression but a kind of melancholy. – Toni Morrison I admit I am struggling with what I think is grief to having completed a project that has taken many, many years. Now I’m in…
Nature Moves Through Carcasses Embroidered Drawing
Nature Moves Through Carcasses (Embroidered Drawing) (Video and Music by Julian Bowers) Nature Moves Through Carcasses pays tribute to Molly O’Dwyer—a young woman whose life and memory became the emotional and narrative catalyst for my graphic novel Salt Green Death (Conundrum Press, 2025). The embroidered drawing process is one of my most personal approaches to…
Conveying information through different drawing techniques
The main character in my graphic novel, Salt Green Death (Conundrum Press, 2025), is Joseph O’Dwyer. My book is a true story centred on a Joseph’s patient records of his treatments for schizophrenia between 1948 – 1963. Joseph’s story and family saga is based on 21 years of research. — TODAY’S SAMPLE PAGE: — On…
With not being able. No. Never. A dream…
I am friends with my neighbourhood crows. They visit my window. They say hello when I go for a walk. Once they met me at the False Creek Ferry at the Aquatic Centre and followed me home, west along the seawall, to my apartment close to Stanley Park. The other day I came across a…
Today – June 12 – holds personal significance for me
Today holds personal significance for me. June 12th marks the birthday of Joseph O’Dwyer, the main character in my graphic novel, Salt Green Death (Conundrum Press, 2025). His patient file is the main source for the project. Joseph was born on June 12, 1926 (99 years ago) in Cashel, Ireland. The journey of bringing this…
Completed portraits from the May 2025 Portrait Sale!
HUGE THANK YOU FOR YOUR SUPPORT! — Original post: Portrait Sale Fundraiser Until June 1 2025 11:59 PM Dear friends and community, This is not an easy note to write — and certainly not one I ever imagined sharing at this stage in life. At 63, I had hoped to be in a more stable…
I wish I were braver.
It is certainly an interesting time as my first graphic novel, Salt Green Death, is complete and being released to the world. Emotions (predictable and strange) come up – shock, awe, gratitude, fear, vulnerability, angst, nausea, joy, excitement, and… peace. Yes, at times, peace. I turned 63 last week and I’m living on the vapours…
Creative process: Girl in a Wetsuit Study
Girl in a Wetsuit (1972) is a life-size bronze sculpture by Elek Imredy of a woman in a wetsuit, located on a rock in the water along the north side of Stanley Park, Vancouver, British Columbia, Canada This study is part of the development phase for my second book, Full Bleed, a graphic novel…
Evolving portrait of my Norwegian grandfather.
A larger project is in development: arts-based inquiry as a deeper approach to ethnographic methodology. As I process and develop a proof of concept for one component of the larger project – a graphic novel about my stoic Norwegian grandfather, Gunnar Thorsen and the generational effects of his POW experiences in WWII – I need…
Walking Amongst The Shadows…
“Walking Amongst The Shadows…” Walking amongst the shadows, faces blurred out of recognition with only a final breath to eulogize their presence. 49 x 39 cm (Photography on photo paper, newsprint, ink, china marker, embroidery). Concept and photography by Patti Henderson. Collage, embroidery, drawing by Katarina Thorsen. This piece is a sample from…
HOW MAPPING THE GENOME OF A FRUIT FLY CHANGED MY LIFE – aka how I learned to love mind mapping
HOW MAPPING THE GENOME OF A FRUIT FLY CHANGED MY LIFE aka how I learned to love mind mapping School always made me anxious. I was doubled over with stomach aches, headaches, mouth ulcers, anxiety. From kindergarten to university, I fretted about tests and grades. Even though I had been drawing and painting all my life,…
Process: the Afterword page
© KATARINA THORSEN Graphic Novel Project
June 16, 1904. The eyes of Joyce…
June 16, 1904. Lá Bloom (Bloom’s Day, in Irish). 120 years! Reading Ulysses for the past couple of years (in English and in Swedish) while working on my current book is both magical and integral to my creative process. I am in the final month of completing my graphic novel. It’s a glorious, terrifying and…
“You can’t rescue all of them…”
“You can’t rescue all of them but you rescued me.” – Reina, my cat, to me. “You can’t rescue all of them but you rescued me.” – Me to Reina, my cat.
Snot Green Study
— The bard’s noserag. A new art colour for our Irish poets : snotgreen. You can almost taste it, can’t you? – Ulysses, James Joyce © KATARINA THORSEN
Following the thread…
JOSEPH (working title) is an experimental graphic novel series (in process). It is an Irish immigrant, Vancouver-based, family saga spanning 1924 – 1963. I use primary sources and creativity to build the true story. This is a work of creative nonfiction born out of historical research. I attempt to stick to the facts and avoid…
Restless Discipline
Staying in creative process allows me to stay in creative process… It’s a way of life. I am grateful for this “restless discipline.” Some glimpses in the studio this evening: You don’t get into the mood to create – it’s discipline. – Twyla Tharp October 14, 2023 Pulling a card (upright) from my favorite deck,…
Fear and doubt cracks me open.
Today I feel the old companions of fear and doubt. THEY CRACK ME OPEN. Can I do this? Am I good enough? Is it all shit? Hello inner critic. Hello fear. I hear you… I take the notes. And I keep going. There’s nothing wrong with fear; the only mistake is to let it…
Recapitulation
I am delighted to share a post (about a powerful shared experience yesterday during the Autumn Equinox) by Patti Henderson, my dear friend and often collaborator. Check out her blog at: creatornorthshore “Recapitulation – Release” by Patti Henderson September 24, 2023 Happy Autumn Equinox! My friend and often art collaborator – Katarina – and I…
Dear máither, it was awful…
Creative Non-Fiction Graphic Novel project continues… Main character tells his mother about the Coma Insulin Treatment.
How it starts… How it ends. Visualizing archival research.
Exposed old wallpaper, interior wall, bottom of the stairs, at the side entrance of my 92 year old building. (Sketch in progress)
On the exposed rocks out of water, the barnacles bubble behind their closed doors and the limpets dry out…
Magical moments captured by Patti Henderson as we explored and collected treasures on the beach at the foot of Erwin Park, West Vancouver. I will be using these studies as references for a page in Joseph. Patti is a generous artist and voracious observer and who has been collaborating with me for 30 years and…
4 hours of “freedom” on June 18, 1951
I have imagined this scene for a few years. Here the main character experiences 4 hours of “freedom” on June 18, 1951. Events leading up to this moment will be explored in the book. My creative non-fiction graphic novel leans heavily on Erving Goffman’s concept of “the total institution” and explores themes such as historical…