My Molly site mollygraphicnovel.com launches with Part 1A on Sunday. The work is presented in an experimental form. I will simply allow the creative process to unfold. THIS WEEKLY SERIAL FORMAT serves as a means to workshop* the graphic novel. *Workshop production: … a form of theatrical performance, in which a play or musical is…
Tag: Graphic Novel
MOLLY, my true crime online graphic novel serial, launches in 1 month!
Look for Part 1A on January 15, 2017 MOLLY- A TRUE CRIME ANALYSIS at mollygraphicnovel.com An analysis in 5-acts. … to dissolve the very boundaries between fact and fiction, life and art, memory and imagining. The result would be a five-act narrative tragedy comprised of materials gathered from everything from journal, diary, memoir, novel, poem,…
Molly- a true crime analysis, a visual serial goes online January 15!
How do you escape from a convincing story? After enough repetitions, the facts come to serve the story and not the other way around. – Errol Morris I began working on this PASSION PROJECT in 2003 when I was a volunteer criminal profiler on the Babes in the Wood task force in Vancouver, Canada. And…
Around 3 am… I felt a tap on my shoulder.
Around 3 am yesterday morning (November 19) I woke up because I felt a tap on my shoulder. More like a double jab. On my right shoulder. It felt so real— I just knew it was a message regarding Molly but it didn’t even feel like her- felt like a male presence. Like he was telling…
I am a star, glimpsed through a sideways glance.
Working notes, Molly, a True Crime Analysis
Digging deeper, the secrets become aviatic.
Working on Molly, and I remain fascinated that I find it easier to dig deeper into the story by using the image of birds. Somehow, the layers that obscure the truth are scraped away a little easier. Are the birds metaphors? My guides? I robbed your grave. I revealed you. I showed you in shameful moments….
“I recall a childhood dream…” with visual storytelling.
Toying with creative process. Thumbnail sketches and experimenting with storyboarding the PREFACE (preamble) portion of Molly, a true crime analysis: RECALL:
I am obsessing about Molly’s wandering soul.
I am obsessing about Molly‘s wandering soul. I have written before that Molly somehow chose me to tell her story. Eve Lazarus refers to it as a tap on the shoulder– and Molly tapped me on the shoulder on Level 5 at the Vancouver Public Library in late 2003 as I was searching through microfiches….
A dream- the dead cygnet. A message from Molly.
A message from Molly? Questioning my commitment to see this story through? I am on the path. I promise stay on it. I am the cygnet to this pale faint swan, Who chants a doleful hymn to his own death, And from the organ-pipe of frailty sings His soul and body to their lasting rest. –…
First line… let’s go.
Recall: I sit now surrounded by my manuscripts, references, inspiration and pressing fingertips to keys and (re)typing. (Re)COMMITMENT! This version will be from the pelvis. First chakra shit. Yesterday, I posted: Start again. Put China markers and socks and threaded needles down. Write, bitch, write. There is no beginning. I’ve tried to invent one but it…
Rejection letter from publisher? Despair? No- liberation.
I have been awaiting word from a significant publisher who has been considering my passion project- Molly, a true crime analysis. The book is not finished. I am re-writing the manuscript, and still drawing- but thanks to my agent, Peter Breeze, we have been creating a buzz and were quite elated to be contacted earlier this…
That is a step on which… #creativeprocess
I was working on my Molly project today— contemplating a slightly new format, to reconstruct the prologue. The idea came out of the first weekly mini writer’s retreat that I started last Monday with my soul-sister, Patti Henderson: Patti encouraged me to attack the material in a new way. I love how collaborative dialogue can push, pull, inspire. Afterwards, perseverating…
It is important now for me to honor this call for retreat. #creativeprocess
I sense it is time to really retreat in between work schedules and ensure cave time to focus on my passion project: Molly, a true crime analysis. Seek solitude, writes Delacroix. I hear you. I am in a fantastic place regarding the project- she feels ripe, ready, eager. Through a tear in the fabric of time…
The objects are the context from which I draw clues.
What happens when a case is very old, when much of its physical evidence is deteriorated or destroyed, and its main players long deceased? How do we investigate? For me it is all about the historical context. When I work on Molly, I step into the 1940’s through books, research, primary sources. And I do it…
Special sale: Dead Bird Collection- embroidered drawings
I am a BIG BIG fan of symbology, imagery and metaphor. I feed on it like some kind of voracious vampire. As I was collecting a few books from my personal library to donate to our local community mini library, I pulled out an old book I had forgotten about. Oh, how I love…
The importance of the vintage photograph as creative resource.
There is no end to the inspiration I get from looking at vintage photographs- through immersion comes awakened imagination. The central characters in my graphic novel are real people but as I am doing an artistic interpretation of real events, I revel in the freedom to flesh out the central characters using old photos as a…
The boarding pass lies within the double helix…
I had a bit of a silly dream last night. I write, silly because, unlike the dream, I usually get to the airport three hours ahead of time for a domestic flight. I am already fretting about the upcoming 6:30 AM flight on June 19 when I head back to Toronto for more creative community…
The timeless/spaceless mid zone of creative process and chatting with the dead…
There is a beautiful part of my creative process that I cherish- the part that allows me to dialogue with my parents as if they are here in my kitchen, sharing coffee and offering advice and dialoguing on the cold case. I had some magical moments the other day as I pulled out old binders…
Embroidered drawings and forensic taphonomy
My passion project, Molly- a true crime analysis, centres around a 63 year old Vancouver cold case. On January 15, 1953, the skeletal remains of two children were found in the forest of Stanley Park in Vancouver, British Columbia, Canada. The victims became known as the Babes in the Wood. The physical evidence indicated that the children were killed…
MOLLY TERESA O’DWYER APRIL 25, 1924
Molly Teresa O’Dwyer (April 25, 1924 Costel, Ireland- November 6, 1947; suicide, age 23 in Vancouver, BC, Canada (Mountainview Cemetery, Vancouver) — My passion project, Molly- a true crime analysis, continues. Stay tuned. On January 15, 1953, the skeletal remains of two children were found in the forest of Stanley Park in Vancouver, British Columbia, Canada….
The Sparrow’s Feet.
I was gifted some delicate Sparrow feet from my friend, Hannah. — They immediately inspired a portrait of my main character, Molly: “How does one respond to a nurturant monster? What archetype do we possess for that?” – Patricia Pearson — Why the obsession? Why bird feet? Why dead birds? Why the sparrow? Why does…
Daisy’s dilemma. 1947 and dark Disney imagery.
My current book project, Molly, is a creative non-fiction tragedy that centres around a suicide in 1947. Suicides were well publicized back then, often featured on the front pages of newspapers. Searching online images “suicide, 1947,” the image that inevitably comes up is the photo titled “the most beautiful suicide“- a haunting and iconic image. But as…
The 5 W’s. #Molly #GraphicNovel #Process
Working on Molly. Keep at it. Revise manuscript. Organize the collected research. Walk around the lagoon. Think think think. Massage the timeline. Spend hours in the coffee shop. Keep massaging that timeline. Rewrite introduction. Add it to the private presentation site. Work on treatment and elevator pitch. Review the theme of the month: committed choice. Spend hours,…
Using Braid Theory to explain triple timeline. #Molly #graphicnovel
It has taken me years to create a structure for Molly that could combine two stories that run both parallel to each other and have intriguing connections. Massive research needs to be formatted in a cohesive way, yet allow for a compelling narrative. Currently, three timelines run through Molly and eventually braid together converging in…
Ok, Molly, I’ll eat a shit sandwich for you.
I had a very anxious week last week. It was a crawl to the finish line. It was a mix of grief, self-doubt, money stuff, fearing I don’t have what it takes to succeed in this life, blah blah blah. It’s familiar, having suffered from anxiety all my life. But last week was particularly hard….
I felt a Funeral, in my Brain… Birds, metaphors, graphic novel, experiments
— Central to my graphic novel is the intensity of anxiety and severe depression while drowning in circumstance, highlighted through the metaphor of birds. — — Here are some experiments from the past weekend: I felt a Funeral, in my Brain, And Mourners to and fro… – Emily Dickinson
A marker for Molly
I do not take my work on Molly lightly. I respect that her story is a tragic one. I respect that Molly somehow chose me to tell her story. Eve Lazarus refers to it as a tap on the shoulder– and Molly tapped me on the shoulder on Level 5 at the Vancouver Public Library…
it should be a nightmare, but somehow, it isn’t. Instead, I am filled with curiosity…
I am a bit lost these days. Spinning in place the last few weeks. I know the spinning comes from diving into the past for a certain personal project. The triggers pull the rug out from under me. And so I freeze, bite my nails, feel exhausted. Yet at peace… strangely. For I am ready. I…
Stick to the facts in the text, avoid assumptions, yet draw conclusions.
In my current project, Molly, I use mainly primary sources and secondary sources such as news articles, as well as well-vetted research in order to build the story around the cold case. The drawings are then freely inspired from the research, i.e. they are an artistic interpretation. I can combine my research to build portraits….
1940’s kitchen. The importance of historical context cont.)
Recall the importance of historical context for my graphic novel research in my post yesterday: LINK. As the story is mainly set in the 1940’s, I find myself fascinated by the 1940’s kitchen. — — — Afterwards, they always had tea in the kitchen, much the nicest room in the house. – Flora Thompson — Make sure…