The Sparrow’s Feet.

I was gifted some delicate Sparrow feet from my friend, Hannah. — They immediately inspired a portrait of my main character, Molly: “How does one respond to a nurturant monster? What archetype do we possess for that?” – Patricia Pearson — Why the obsession?  Why bird feet?  Why dead birds?  Why the sparrow?  Why does…

Daisy’s dilemma. 1947 and dark Disney imagery.

My current book project, Molly, is a creative non-fiction tragedy that centres around a suicide in 1947. Suicides were well publicized back then, often featured on the front pages of newspapers. Searching online images “suicide, 1947,” the image that inevitably comes up is the photo titled “the most beautiful suicide“- a haunting and iconic image. But as…

The 5 W’s. #Molly #GraphicNovel #Process

Working on Molly. Keep at it. Revise manuscript. Organize the collected research. Walk around the lagoon.  Think think think.  Massage the timeline. Spend hours in the coffee shop.  Keep massaging that timeline. Rewrite introduction. Add it to the private presentation site. Work on treatment and elevator pitch. Review the theme of the month: committed choice. Spend hours,…

Using Braid Theory to explain triple timeline. #Molly #graphicnovel

It has taken me years to create a structure for Molly that could combine two stories that run both parallel to each other and have intriguing connections. Massive research needs to be formatted in a cohesive way, yet allow for a compelling narrative. Currently, three timelines run through Molly  and eventually braid together converging in…

Ok, Molly, I’ll eat a shit sandwich for you.

I had a very anxious week last week.  It was a crawl to the finish line.  It was a mix of grief, self-doubt, money stuff, fearing I don’t have what it takes to succeed in this life, blah blah blah.  It’s familiar, having suffered from anxiety all my life.  But last week was particularly hard….

A marker for Molly

I do not take my work on Molly lightly.  I respect that her story is a tragic one.  I respect that Molly somehow chose me to tell her story.  Eve Lazarus refers to it as a tap on the shoulder– and Molly tapped me on the shoulder on Level 5 at the Vancouver Public Library…

Stick to the facts in the text, avoid assumptions, yet draw conclusions.

In my current project, Molly, I use mainly primary sources and secondary sources such as news articles, as well as well-vetted research in order to build the story around the cold case. The drawings are then freely inspired from the research, i.e. they are an artistic interpretation. I can combine my research to build portraits….

1940’s kitchen. The importance of historical context cont.)

Recall the importance of historical context for my graphic novel research in my post yesterday: LINK. As the story is mainly set in the 1940’s, I find myself fascinated by the 1940’s kitchen. — — — Afterwards, they always had tea in the kitchen, much the nicest room in the house. – Flora Thompson — Make sure…

The importance of historical context in an investigative story

  What happens when a case is very old, when much of its physical evidence is deteriorated or destroyed, and its main players long deceased?  How do we investigate? For me it is all about the historical context. I interviewed Dr. David Sweet, forensic odontologist, on the importance of historical context in solving the 1953 Stanley Park cold…

“What do we know?” Drawing conclusions from the facts. #graphicnovel

My graphic novel is more of an illustrated thesis rather than pure graphic novel.  My words are based in fact.  The drawings are where I can take a leap of faith- a surrealistic interpretation. It is creative non-fiction.  I literally DRAW conclusions based on the evidence at hand.  That is my artistic take on it.  But the story…

Recycled sock craft: dead crow. #Graphicnovel fundraiser. 

The crow guides my healing journey. It gives me the courage to enter the darkness of the unknown and to let go of fear. The crow reminds me to laugh, live and love fiercely as I embrace my life’s mission.  According to folk lore, finding a dead crow implies good fortune awaits.  I feel they…

Autopsy and the somewhat autobiographical nature of my graphic novel

I have been on a bit of blog-haitus of late.  Just experienced an amazing pull back into the past as a dear friend spent 9 days here visiting from Sweden.  We dove deep.  Real deep.  Drenched in Swedish.  Endless necessary exhilarating conversation. Fully open and torn open- finding old wounds long hidden- releasing them. Reflecting…

Limited edition hand-embroidered print sale #graphicnovel

— I am making available 10 hand-embroidered prints entitled Who is it that can tell me who I am? featuring an original image from my graphic novel, Molly. —  — The print captures the moment a crow, the magician of the forest, adorned by a child’s skull as a crown, looks, with intense curiosity, into Lost Lagoon…

“Crime Scene” creative process #graphicnovel

   — “CRIME SCENE” Testing chapter heading visuals for: Molly, my graphic novel. Creating on nickels and dimes. ‪ “… even if I had to paint my pictures with my wet tongue on the dusty floor of my cell.” – Pablo ‪Picasso‬ I can’t stop despite money worries and fatigue-inducing insecurities… Can I pull this off?…

VANCAF reflections Part 2 of 6: @VERWHO and Towerkind on @ConundrumCanada

  Fabulous afternoon at VanCaf Day 1- the Vancouver Comic Arts Festival last Saturday! I have broken down some highlights from my visit into 6 blog posts: 1. Julian Lawrence, Drippy the Newsboy, Conundrum Press: BLOG LINK Update: Julian’s book is a FABULOUS READ and VISUAL FEAST!  Truly the kind of comic you read lying in the grass under a…

Molly, my Molly, has acknowledged the past. #graphicnovel

— See there- my Molly, in death- so white Coming clothed in flowers, entering the night. My fate, through her eyes, is being foretold My dreams, my wounds, my joys she holds. Spirits, unpolished, stand back in aghast, Molly, my Molly, has acknowledged the past. “It’s not what I wanted! Not what I assumed!” And…

January 15, 1953. Stanley Park, Vancouver. #coldcase

  Several developments since I last mentioned Molly. This work infuses my life in every way.  I am currently editing the manuscript and working on releasing instalment 1 as a broadsheet. Animation test to commemorate January 15, 1953 created by students at Mountainside Secondary:

Boundary- a new comic by Emily Cowan

I am so excited that Vancouver artist, Emily Cowan, has now launched her extraordinary comic BOUNDARY online! BOUNDARY is a long-form comic about being stuck, difficult families, changing friendships and the different kinds of boundaries in our lives.  Mostly though, it’s about adolescent frustration and the unbearable tragedy that is being fifteen.   The worst part of…

Circumstantial. Putting the research together.

Circumstantial evidence is evidence that relies on an inference to connect it to a conclusion of fact—like a fingerprint at the scene of a crime. By contrast, direct evidence supports the truth of an assertion directly—i.e., without need for any additional evidence or inference. On its own, it is the nature of circumstantial evidence for more than one explanation to still be…

Molly, a graphic novel IN 5 ACTS #showyourwork

Molly, a graphic novel IN 5 ACTS Installment 1: EXPOSITIONSYMPATHY THE BABES IN THE WOOD1953-2013 Installment 2: RISING ACTIONCONCERN THE PHYSICAL EVIDENCE1953 Cold case, unidentified The suspect Installment 3: CLIMAXSUSPENSE FILICIDE – SUICIDECIRCUMSTANCE 1940’S OCT 5, 1947 Installment 4: FALLING ACTIONREST MOLLY O’DWYER TIMELINE1924-1947 Installment 5: RESOLUTION/CATASTROPHESATISFACTION THE CRIMEOCT 5, 1947 THE SUICIDE NOV 6,…

Molly- a graphic novel and the 5-act structure. #showyourwork

I have been intuiting to structure Molly into 5 sections.  I scratch on the back of books, in their margins, in my journal, on napkins… It’s a fascinating process to try to organize the research and fit it all into pertaining sections. My friend, writer Matt Roy, suggested I look into the 5-act structure of…