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BOOK: DRAWN TOGETHER
CURRENT PROJECT: JOSEPH
SF JOURNAL 2019
DRAWN TO PETS
The importance of the vintage photograph as creative resource.
Death is not the end of the story, but just the beginning.
The boarding pass lies within the double helix…
The timeless/spaceless mid zone of creative process and chatting with the dead…
Embroidered drawings and forensic taphonomy
MOLLY TERESA O’DWYER APRIL 25, 1924
The Sparrow’s Feet.
Creative mind mapping example: developing characters
Daisy’s dilemma. 1947 and dark Disney imagery.
The 5 W’s. #Molly #GraphicNovel #Process
Ponderings on the “idea.”
Using Braid Theory to explain triple timeline. #Molly #graphicnovel
Now her ghost wheels her barrow…
Ok, Molly, I’ll eat a shit sandwich for you.
I felt a Funeral, in my Brain… Birds, metaphors, graphic novel, experiments
I write of what I cannot speak- the truth.
it should be a nightmare, but somehow, it isn’t. Instead, I am filled with curiosity…
A certain preface this way comes.
Stick to the facts in the text, avoid assumptions, yet draw conclusions.
1940’s kitchen. The importance of historical context cont.)
The importance of historical context in an investigative story
Autopsy and the somewhat autobiographical nature of my graphic novel
Limited edition hand-embroidered print sale #graphicnovel
Molly Teresa O’Dwyer April 25, 1924 #familytree
Why receiving a NO from @writehedgebrook was a YES.
Molly, my Molly, has acknowledged the past. #graphicnovel
January 15, 1953. Stanley Park, Vancouver. #coldcase
Writing is usually a process of elimination until… I don’t know- nothing is really there.
Join the ‘100 Faces’ Street Art Project for instalment 1 of my graphic novel.
Same image, different context. What is the truth? #molly #graphicnovel
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